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Urvashi Rautela's Dabidi Dibidi, Sorry Bol, Faraari : When actress' bold dance moves, sensuality took centerstage

From bold dance moves to provocative visuals, Urvashi Rautela has consistently pushed boundaries in her music videos. This list showcases five of her most talked-about songs that sparked debates and dominated headlines.

Rishika Baranwal | May 19, 2025, 01:28 PM IST

1.Dabidi Dibidi

Dabidi Dibidi
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In the 2025 Telugu film Daaku Maharaaj, Urvashi Rautela's performance in Dabidi Dibidi alongside Nandamuri Balakrishna ignited controversy. Critics labeled the choreography as vulgar, highlighting the significant age gap between the 30-year-old actress and the 64-year-old actor. Urvashi defended the song as a tribute to Balakrishna's fans, emphasising that the dance moves were crafted to resonate with their expectations. 

 

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2.Faraari

Faraari
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Urvashi's dance in the music video Faraari, featuring Sanam Johar, drew criticism for its provocative moves. Netizens compared her steps to the animated character Shinchan's 'Buri Buri' dance, leading to a flurry of memes and discussions about the song's choreography. 

 

3.Sorry Bol

Sorry Bol
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In the song Sorry Bol from the film Jaat, Urvashi Rautela's sultry performance became a talking point. The video's bold visuals and suggestive dance moves stirred debates about the portrayal of sensuality in mainstream music videos.

 

4.Bijli Ki Taar

Bijli Ki Taar
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Bijli Ki Taar, featuring Urvashi Rautela, showcased her in a glamorous avatar, dancing amidst electric-themed visuals. While the song gained popularity, it also faced criticism for its flashy presentation and was seen by some as prioritising style over substance.

 

5.Resham Ka Rumaal

Resham Ka Rumaal
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In Great Grand Masti, Urvashi Rautela’s item number Resham Ka Rumaal was slammed by viewers for being overly provocative. The movie was already under fire for adult content, and this sensual song added to the backlash. Urvashi's bold dance moves, skimpy costume, and the film’s erotic context made the number controversial for many audiences.

 

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