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Lakme Fashion Week diary | Kinetic clash between good and evil: Siddhartha Bansal

Every print that walked out on dresses, skirts and other separates had a multi-layered narrative to share - the tussle between the good and the evil, materialism and spirituality. This dialogue made the 'Game Changer' line deeper and artisanal.

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Every print that walked out on dresses, skirts and other separates had a multi-layered narrative to share - the tussle between the good and the evil, materialism and spirituality. This dialogue made the 'Game Changer' line deeper and artisanal.

The Delhi-based designer toyed with ‘the all-seeing eye’ that is usually acknowledged as a symbol of power and spirituality by converting it into digital motifs. The ensembles had a psychedelic vibe etched to them and the pop-art influenced colour palette that included turquoise, coral, mauve, tangerine and mustard escalated the funk.

There was something for everyone - from elegant printed old-school blouse/cropped top teamed with a twin skirt and a scarf to flared vibrant palazzos combined with a low-key T-shirt, which were highly functional yet quirky and pleasant. The outfits had a certain ease and music festive vibe with the play of colours and prints.

An off-shoulder, printed, floor length dress and a layered frilled imprinted gown with a basic black bodice highlighted with sequinned work stood out. The fabrics were carefully chosen from different parts of India making it rustic yet urbane. 

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