John F Kennedy's Women

The 50th anniversary of John F Kennedy’ assassination is an opportunity to consider the shifts in consciousness in the United States. In particular, though Kennedy has entered the pantheon of American heroes, recent data shows that women, especially, have been losing admiration for him as a leader. Why?

In some ways, Kennedy’s legacy for women was as progressive as his legacy on race and poverty. One genuinely visionary move was asking Eleanor Roosevelt, a longtime feminist, to chair the first President’s Commission on the Status of Women (PCSW). The PCSW, which included both male and female political leaders, was a real, rather than cosmetic, effort to assess the workplace bias that women faced, what legal protection they should have, and what could be done to end gender discrimination—a concept that did not even have a vocabulary yet.

When Kennedy convened the PCSW, women in America could be excluded from juries, lacked access to oral contraceptives and abortion, and could not even secure credit in their own names.
The year Kennedy was killed, Betty Friedan published The Feminine Mystique, igniting a fiery debate about “the problem that has no name”—women’s dissatisfaction with their limited roles. The PCSW’s report, issued a month before Kennedy’s assassination, could have been a watershed had he lived.

But, despite his progressive stance, American women’s reassessment of the 1960s has not left Kennedy’s reputation unaffected. Once an icon of heroism, charm, and the quest to overcome longstanding injustices, Kennedy’s reputation has been damaged by tales and testimonials about the scores of women who cycled through White House bedrooms (or hotel rooms when he travelled).

Memoirs by some of these women, including Mimi Alford, a 19-year-old intern in the White House press office when she began an 18-month relationship with Kennedy, have dimmed his halo, if not completely darkened it. So has reporting that addresses his liaisons with Marilyn Monroe and Marlene Dietrich. Other women, such as his self-proclaimed mistress Judith Campbell, reportedly had sexual relationships with Mafia figures as well.

The sense of entitlement that sustained such male fecklessness has steadily eroded–a process that, like so much in American culture, is played out on television. Popular series like The Good Wife show the suffering of political spouses expected to keep a stiff upper lip and a ladylike demeanor in the face of behavioural double standards. Mad Men, with its dashing advertising executives who consume women like lunchtime cocktails, plumbs the emptiness and destructiveness of early-1960’s male sexual prerogative.

This reassessment of male sexual privilege and irresponsibility in the 1960s, reinforced the transformation of Kennedy’s image from charming playboy to compulsive predator. The authorised biography of writer Norman Mailer—notorious for saying, as feminism began to stir, that “all women should be locked in cages”—just appeared in the US. Mailer’s irredeemable womanising is in for serious reevaluation.

Perhaps most revealingly, while Kennedy’s aura among women has dimmed, his wife’s reputation has grown. Jacqueline Kennedy’s dignified and substantive last decade as an accomplished book editor–an icon of the modern working, even feminist, woman–has supplanted the image of her as a doll-like hostess showing TV cameras the White House, or as the grieving widow behind a black veil. Her deliberately constructed-for-posterity taped conversations in March 1964, with historian Arthur Schlesinger, published in 2011, have added to her posthumous renown.

Jacqueline Kennedy’s rising star and JFK’s increasingly tarnished one–at least when it comes to his private life and the uses to which he put his personal magnetism–reflect America’s social evolution. The shift in Americans’ understanding of icons like the Kennedys highlights the change in Americans’ own needs, values, and wishes concerning women and the relationship between the sexes. JFK’s creation of the PCSW suggests that he saw what was coming, even as he remained very much a man of his time.

Project Syndicate
Naomi Wolf is a political activist and social critic whose most recent book is Vagina: A New Biography