Ira Trivedi was just 18 when she wrote her first novel, a fictionalised account of what she saw when she took part in the Miss India beauty pageant. Over the next 10 years, she's followed it up with several novels and non-fiction titles, the best known of which is India in Love (2014). Love is also the theme of her latest novel, Nikhil and Riya, published earlier this year. Edited excerpts from a conversation in which Trivedi speaks about love, writing and spirituality:
Someone once told me that to be really successfully you have to be obsessed with it. So I thought about what I am obsessed with? Do I have an obsession with writing? Not really. I think it's love. All my books have explored this as a theme. But my novels are also about exploration, about characters who are getting out of their comfort zone, going through, in whatever way, a 'coming of age'. And love is a part of this process of coming of age.
Nikhil's love for Riya is his coming of age, or that's what he thinks. That's typical of 16- or 17-year-olds. It's the reason I chose to write this book — because that is the age when we feel the deepest. The kind of feeling that 'this' is everything. When you get older (you realise) that it's not everything — you have a job, a career, household duties...
That's difficult (to explain). It's indefinable. I try to explore that in my writing. But in its purest form, I think it is a spiritual quest to connect with something bigger than yourself.
In the earlier drafts, he was even worse, and people who read it commented that no one would like him. Nikhil behaves like a cad with his wife but he also feels bad about it. He becomes much better towards the end. And that's the story of his journey at a new stage of his life.
Not really. The Fault In Our Stars was set all around cancer. Here, we don't really mention the disease. This book is about Riya dying and Nikhil's thoughts about that. The first draft of the book was written six years ago, and it was written from Riya's perspective, as the story of a girl who had 30 days to live. I was about 23 at the time and embarking, for the first time in my life, on a spiritual quest — to think about what life is, what the soul is. Thirty days was an exploration of that quest.
I don't write every single day, but I always try to have a book project that's ongoing. For instance, I've already started structuring my next novel; there's also a non-fiction project, a follow-up to India in Love. The project that I am working on immediately is a book on yoga, a manual for adults, out on June 21. Then there are my children's books featuring Om, the Yoga Dog. That's quite a lot.
Earlier, I used to think that there wasn't a connection, but now I am not so sure. Marketing a book, for instance, is not easy. I feel I have to use all the skills I learnt at business school. Even things like how to structure your writing career, what is the kind of brand I want to build as a writer, how do I think of it as a vision for a writer. I don't necessarily think in terms of this, but one has to be cognizant of this. Especially now, since I do so many kinds of writing — fiction, non-fiction and journalism as well. And now a yoga show and a column.