With over a 110 million copies in print, David Baldacci is one of the most popular thriller writers of the last decade. The bestselling American novelist started his career in 1996 with the novel Absolute Power and has created some of the most compelling characters since then, including Sean King and Michelle Maxwell, John Puller and more recently, Amos Decker. After last year’s Memory Man, Baldacci is back with another Decker thriller, The Last Mile. The lawyer turned author shared a glimpse of his writing world with After Hrs…
Flawed characters are real characters. I don’t write about perfect people because I don’t know any. And I don’t think people want to read about perfect people. The story gets silly after a while. Plus, with flawed characters you can see them evolve through the story and become, if not better, at least wiser. Transformations like that happen in real life and allow the reader to make a connection with a character.
I researched the criminal justice system and capital punishment, both of which I knew a fair amount about, being a lawyer myself. I continued to research Decker’s hyperthymesia and the fact that it can continue to evolve and further change him. I also had to do some football research but I’ve been a fan for a long time and already had a good grounding in the vernacular and sport.
I grew up in the South in the 1960s. Racism was all around me. And racism still persists in the country, and pretty much every country in varying degrees. We will never be able to fully eradicate it, but we can come damn close. And we should take every step to ensure that we do.
It evolves organically day by day. I never outline the whole story. I never know the ending before I sit down to write it. I like inspiration and epiphanies to play a role in the creative process. It makes it more fun.
Absolutely. It built in discipline and a work ethic that has served me well. Plus, as a lawyer you’re a writer who is expected to write persuasively. Some of the best “fiction” I ever wrote was when I was a lawyer!
Yes it is. That never gets old. For a long time I never thought I’d be published. I never take any of this for granted.
Don’t necessarily write what you know about, but what you’d like to know about. That passion will carry you through the entire process of writing the book. If you don’t care about the subject matter, you’re going to run out of creative juice long before you’re done.
Eric Ambler, Robert Ludlum, Patricia Highsmith, Thomas Harris, Patricia Cornwell, John LeCarre, Nelson DeMille