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KBC 10: Which is the only talkie film directed by Dadasaheb Phalke?

The 10th season of Kaun Banega Crorepati (KBC) is in its sixth week with the audience showering the show hosted by Bollywood megastar Amitabh Bachchan with lots of love. In 18 years the show made its debut on Indian television, Kaun Banega Crorepati, or KBC as many call it, has not lost its sheen and attracts a massive following.  

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The 10th season of Kaun Banega Crorepati (KBC) is in its sixth week with the audience showering the show hosted by Bollywood megastar Amitabh Bachchan with lots of love. In 18 years the show made its debut on Indian television, Kaun Banega Crorepati, or KBC as many call it, has not lost its sheen and attracts a massive following.  

Along with usual broadcast, show's fans can watch Mr Bachchan posing difficult questions before contestants on digital platforms. As has been the tradition with the KBC in the past, the audience plays along with the contestant of the show. However, this time they will be actually able to play along and get a chance to sit on the hot seat and win exciting prizes. 

While Jio customers will have an added advantage this year and can get a chance to sit on the hot seat facing megastar Amitabh Bachchan and can win prizes worth crores of rupees, others may just enjoy the show and play along without thinking of a prize. 

To make things easier for you, here we bring the answer to questions asked on the KBC 10.

KBC 10: Which is Dadasaheb Phalke's only talkie film? 

Gangavtaran

8 facts about Dadasaheb Phalke

1. Popularly known as Dadsaheb Phalke, the legend’s real name is Dhundiraj Govind Phalke.  

2. While pursuing his dreams at Sir J.J. School of Art, Bombay in 1885, he acquired a variety of interests and even became adept at magic. He also experimented with a variety of special effects. His usage of mythological themes and trick photography delighted his audience. He also met the German magician Carl Hertz, one of the 40 magicians employed by the Lumiere Brothers. 

3. A life-turning moment for Phalke was when he watched the silent film, 'The Life of Christ' by Ferdinand Zecca and envisioned Indian Gods on the screen, finally making his first short film was 'Growth of a Pea Plant' in 1910. 


4. While Dadasaheb was making his first movie, he put out advertisements seeking handsome actors for the lead role. Surprisingly, these advertisements brought so much amateur and inadequate talent, that Dadasaheb Phalke was forced to add a line saying, "ugly faces need not apply." 

5. Dadasaheb's entire family took part in the making of Raja Harishchandra. His wife handled the costumes of the actors, the posters and production of the film and provided the whole crew with food and water. His son too, played a major role of Harishchandra’s son in the film.  

6. A well-known early story is that Phalke's immersion in intense viewing and experimentation led to ill health and temporary blindness. There is a metaphorical aspect to the loss and recovery of sight in a man who declared that he would bring images of revered Indian deities to the screen, just as Christ's image had been presented in the West. 

7. He went to Germany to get introduced to new and upcoming technologies. There he bought his first movie camera, but nobody knows what happened to it afterwards. 


8. His last silent movie Setubandhan was released in 1932 and later released with dubbing.  His career was capsized by the introduction of sound in films. During 1936-38, he produced his last film Gangavataran before retiring to Nashik, where he died on 16 February 1944.

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