AR Rahman was recently appointed as one of the goodwill ambassadors for the Rio Olympics. A scholarship in his name has been instituted in association with the Berklee School of Music. As far as composing goes, while his songs for South films like OK Kanmani have been chartbusters, in Hindi his score for Tamasha got a mixed response. He also recently opted out of composing for Aamir Khan’s Secret Superstar. Here, Rahman talks about what drives him, his love for performing live and more...
I want to create good vibes and cheer for them. Also, it’s a coincidence that I recently composed the music for Pele, a film on the Brazilian footballer. So, I would love to see a song from that film being performed at the Olympics.
There might be a couple of things, but it’s too early to speak about it. I am finishing the music for Mohenjo-Daro now.
No proper movies came to me from Bollywood. The offers that I got were not compelling enough. Also, I was busy with the pre-production of my film, 99 Songs.
Next year. Also, the movie will not have 99 songs though it is called that (smiles). It’s like a fairy tale.
No. Some movies get made in 12 years, some in 20 years! Movies should be made only when everything else is ready.
Yes, those will be retained and we will also be adding some new songs in it.
Tamasha was slightly experimental — both in terms of the movie and the music. That’s what I love about it. I liked the way people received it. Some people loved the music, some hated it, but it was meant to be like that.
What happened was, we had started composing and everything, but around that time my studio (in Chennai) was flooded. My mind was very restless and at that time they had the shoot planned, so I couldn’t do it.
The last time I did that was for Danny Boyle (Slumdog Millionare). I was extremely busy at that point and I knew his musical tastes. If Danny comes here I will definitely do that, I like him a lot.
Some of them have become composers, some are singers here and abroad and they are winning awards. Some even got invitations from other conservatories who wanted to take our students, but we said, ‘No way!’
I don’t know yet. Even this is a miracle — composing and running this together. Opening more branches means more responsibility, more energy. I want to save my energy, and keep one base. It’s important. It’s more important to do it right, it’s not about replicating it.
I don’t know yet. Time will tell.
It’s a very rewarding experience. It gives a whole new meaning to being alive — when you see them smile, and are in harmony with 30,000 people. They have their own stories, and they are cheering, not because I am standing and singing, but because for them it’s a collection of their memories, journey of their lives — the ups and down that are reflected in these songs. It’s a fantastic feeling.
Abroad I do, because it is a big hit there. Jai Ho made a huge impact. However, recently in Malaysia, I did not perform Jai Ho. I also get a lot of requests for Dil Se (from Dil Se) It mostly depends on the place. In Vegas, somebody was asking for an unpopular Malayalam song, Mampoove (Yodha). You never know what a person’s listening to, the Internet is making it all possible.
Being a bridge, getting the next generation educated, being instrumental in pushing our own artistes and amazing artistes from abroad to India.
My family. They are my spiritual support.