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Sunday, November 22, 2009

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Madhu Jain
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Madhu Jain has written on culture, society, the arts, and politics for three decades now. She has held senior positions at two of India's foremost newsmagazines, Sunday and India Today, where she was responsible for the coverage of arts and culture.

Jain was also an editorial consultant with Outlook magazine for two years. She has chronicled crucial twists and turns in India's social history. She was the Delhi correspondent of leading French daily La Croix for several years, for which she wrote extensively on Indian politics and culture.

Jain began her career in journalism with The Statesman, prior to which she was a student of literature at the Sorbonne. She also studied art history in Paris. She went to school and college (Connecticut College) in the United States.

Jain is currently an independent curator and columnist. She has curated two major art exhibitions: the award-winning Kitsch Kitsch Hota Hai (Visual Arts Gallery, New Delhi, 2001) and an exhibition of Paris-based painter Viswanadhan (Visual Arts Gallery, 2003). She is now working on two major exhibitions on contemporary Indian art.

Jain lives in New Delhi. She has written extensively on contemporary art for magazines, catalogues, and books. Her book on Indian cinema, The Kapoors: The First Family Of Indian Cinema, was published in 2005 by Viking/Penguin. She has contributed chapters to many books, including The Millennium Book On New Delhi, Oxford University Press, 2001; Delhi: Improbable City, An anthology of writing on New Delhi edited by Khushwant Singh for Penguin, 2001; Bollywood, published by Dakini Publishers, UK, 2001; and The First 50 Years, London and Edinburgh Publishing.

Currently, Jain is working on another book for Penguin. She works in Delhi, where she lives with her husband, a physicist. They have two children.

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Art India’s China syndrome

A few younger artists have turned their backs on the high priests of Europe, only to absorb the influences blowing in from the East.
March 29, 2007

The wedding as performance

Marriages today take the cake, ejecting suavely the holy out of holy matrimony. The reigning mantra is convenience; we are in the age of the practical.
March 15, 2007

Paintings or wallflowers?

What is really on show in the art mart are cleavages and leggy lasses and studs with gelled or spiked hair.
January 18, 2007

The nip n’ tuck junkies

Recently a friend was awaiting her turn in a swank hair-dressing salon where the rich and famous in Delhi go.
December 7, 2006

It’s all about the halo

We don’t yet have actors adopting children from the Andamans or Bastar, forget Malawi. But that may happen eventually.
November 23, 2006

A home in the USA

Just a few years ago the “babysitters” from India would have felt marooned, even lonely on these foreign shores.
October 12, 2006

The new India-China war

Happily, our modernists, and older generation of artists like VS Gaitonde and Tyeb Mehta have crossed the million dollar mark.
September 28, 2006

The famous and the lonely

The usual buffers — joint families, ideals, idealism, faith, dosti, even passion — are no longer in place the way they used to be.
August 31, 2006

An era ends — quietly

Pramila, or Esther Victoria Abraham had not only been a devastating vamp and fearless stunt woman on screen for decades.
August 17, 2006

Art, now made to order

Auctionwallas and art dealers are raking it in. Yesterday's trash is today’s conversation piece. From passé to cachet is just an auction away.
August 3, 2006

Bengali films go sexual

Younger generation film makers have finally moved on from the poetically theoretical to the in-your-face physical.
July 20, 2006

Cinema paradiso

A film festival has to be run by those passionate about cinema, those who realise its significance as the seventh art, says Madhu Jain.
July 6, 2006

When a kiss is just a miss

Our celluloid heroines can simulate sex on the screen. Yet they yell cut when they have to kiss their co-stars, says Madhu Jain.
June 22, 2006
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