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Sunday, November 22, 2009

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Madhu Jain
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Madhu Jain has written on culture, society, the arts, and politics for three decades now. She has held senior positions at two of India's foremost newsmagazines, Sunday and India Today, where she was responsible for the coverage of arts and culture.

Jain was also an editorial consultant with Outlook magazine for two years. She has chronicled crucial twists and turns in India's social history. She was the Delhi correspondent of leading French daily La Croix for several years, for which she wrote extensively on Indian politics and culture.

Jain began her career in journalism with The Statesman, prior to which she was a student of literature at the Sorbonne. She also studied art history in Paris. She went to school and college (Connecticut College) in the United States.

Jain is currently an independent curator and columnist. She has curated two major art exhibitions: the award-winning Kitsch Kitsch Hota Hai (Visual Arts Gallery, New Delhi, 2001) and an exhibition of Paris-based painter Viswanadhan (Visual Arts Gallery, 2003). She is now working on two major exhibitions on contemporary Indian art.

Jain lives in New Delhi. She has written extensively on contemporary art for magazines, catalogues, and books. Her book on Indian cinema, The Kapoors: The First Family Of Indian Cinema, was published in 2005 by Viking/Penguin. She has contributed chapters to many books, including The Millennium Book On New Delhi, Oxford University Press, 2001; Delhi: Improbable City, An anthology of writing on New Delhi edited by Khushwant Singh for Penguin, 2001; Bollywood, published by Dakini Publishers, UK, 2001; and The First 50 Years, London and Edinburgh Publishing.

Currently, Jain is working on another book for Penguin. She works in Delhi, where she lives with her husband, a physicist. They have two children.

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Pucca American and a little desi

Desi-Americans, the younger lot, increasingly consider themselves American
October 9, 2008

Brown soldier in the ring

Ashwin Madia is flaunting his stripes in pursuit of the American dream.
September 25, 2008

The science of Palineontology

Would you believe it, a gori behenji plonk in the middle of the currently feverish American political landscape!
September 12, 2008

Is democracy art’s new buzzword?

Strange and unthinkable things have been happening this sultry August in Delhi. I limit myself here to the world of art, the art mart actually.
August 28, 2008

The return of Nadia Hunterwali

Yesterday was quite an uncanny day. The morning began with a phone call to Mr Chandrashekhar, who heads the Indian Cine Artists Association.
August 14, 2008

Fellini’s image-making machine

Well, this week one of these little epiphanies popped up as I looked at a drawing by Federico Fellini in the recently published Book of Dreams.
August 1, 2008

Much ado about Raja Ravi Varma

The mildly erotic 6-minute clip from Ketan Mehta’s forthcoming film Rang Rasiya/Colours Of Passion on the legendary 19th century painter had some in the audience drooling.
July 17, 2008

Stories of childhood lost

Two things happened early this morning. Totally unrelated, one from the other, but together, they set off an alarm in my mind.
July 3, 2008

Indians at art’s High Table

It is a rude awakening. The tinny ring of my mobile phone shatters the ethereal calm of Landour, a slice of privileged paradise rising high above the clutter and bustle of Mussouri.
June 19, 2008

More to art than just high prices

It is one of those mid-May afternoons in Kolkata. One moment the sun is shining harshly down on your back, the next, dark clouds swoosh in out of nowhere and the rain comes down hard.
May 22, 2008

Arty twist to Mumbai’s hidden secrets

I have long been fascinated by the secrets aspects of a city — hidden to an alien or untutored eye.
May 8, 2008

The emperor’s literary clothes

I remember making a mental note of the fact that Naipaul was not exactly fair and lovely — his skin many notches down the skin colour chart, closer to black than white.
April 11, 2008

Film stars are our new deities

At the function, artist Paresh Maity was waiting, a hint of anxiety flitting across his normally smiling, serene face.
March 27, 2008
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